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Yvonne De Carlo

Yvonne De Carlo
Yvonne De Carlo was a Canadian-born American film and television actress, dancer and singer. In her six decades of television, her most prolific appearances in film came in the 1940s and 1950s and included her best-known film roles, such as Salome Where She Danced and The Ten Commandments, opposite Charlton Heston.


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Margaret Yvonne Middleton

Yvonne De Carlo was a Canadian-born American film and television actress, dancer and singer. In her six decades of television, her most prolific appearances in film came in the 1940s and 1950s and included her best-known film roles, such as Salome Where She Danced and The Ten Commandments, opposite Charlton Heston. In the 1960s, she gained a whole new generation of fans, playing "Lily Munster" on CBS television series The Munsters, opposite Fred Gwynne.

Yvonne De Carlo Biography

The daughter of an aspiring actress, Marie De Carlo, and a salesman, William Middleton, De Carlo was born Margaret Yvonne Middleton De Carlo in Vancouver, British Columbia, Canada. "I was named Margaret Yvonne - Margaret because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own."[1] Her maternal grandfather, Michael de Carlo, was Sicilian-born, and her maternal grandmother, Margaret Purvis, was Scottish-born. Margaret's mother ran away from home, when she was 16 to become a ballerina, after a couple of years working as a shop girl, she was finally married in 1924. Little Margaret was just a toddler when her father beat a hasty departure only one step ahead of the law. Her father abandoned her family when she was 3. While her mother was away with her boyfriends, Margaret lived with her grandparents. She found a secure spot with them; however, she wanted some attention, very desperately. The little girl inherited her mother's personality. By the time she entered grade school, she found that her strong singing voice brought her the attention she longed for. Although her mother recognized Margaret's talent for singing, she had decided long ago that any daughter of hers would be a dancer. As a teenager, “Peggy” was taken by her mother to Hollywood where she enrolled her in dancing school, also attending Le Conte Middle School in Hollywood. Margaret also lived in a downtown apartment, with her mother, where Marie took on odd jobs such as a waitress. Margaret was uprooted again when her Visa expired, she would have to make three trips, the first of which is from Los Angeles, California to Vancouver, within a few years, where she and her mother both returned, because she was unable to find work. Despite of all the traveling she went to, her ballet had already continued. It was also noted that her body was also not supple enough to withstand the rigors of ballet.

She attended and dropped out of Vancouver's now-defunct King Edward High School, to focus more on her dance studies. She then attended the B.C. School of Dancing. It was there that Canadian dance instructor, June Roper, started her in a new direction, for which she was grateful and relieved. The following year at the Orpheum Theatre, Margaret appeared as a hula dancer in the famous revue Waikiki. When she was 17, Margaret had become a graceful young woman. A new nightclub, the Palomar had opened in Vancouver, and she acquired a week long booking. Hoping to present more sophisticated image, she combined her middle name with her mother's maiden name, which turned out to be Yvonne De Carlo.

The pair made several such trips until 1940, when De Carlo was first runnerup to "Miss Venice Beach" and was hired by showman Nils Granlund as a dancer at the Florentine Gardens.[2] She had been dancing for Granlund only a short time when she was arrested by immigration officials and deported to Canada,[3] but in January 1941, Granlund sent a telegram to Canadian immigration officials pledging his sponsorship of De Carlo in the United States, and affirmed his offer of steady employment, both requirements to reenter the country.[4]

Before she worked at Florentine, she also got her first job at 16, working at Vancouver's Palomar, where it expanded from a ballroom to a nightclub in 1938. Her time at the nightclub ended however when she was pressured to expose her breasts by Mr. Carroll[citation needed]. In response to the incident she and her mother explicitly left the nightclub.

Seeking contract work in the movies, she abruptly quit the Florentine Gardens after less than a year, landing a role as a bathing beauty in the 1941 B-movie Harvard, Here I Come.[5] Other roles were slow to follow, and De Carlo took a job in the chorus line of Earl Carroll, another Hollywood showman. Her sixth film appearance was at the request of Nils Granlund, and the film Rhythm Parade was set at the Florentine Gardens nightclub in Hollywood.

In December 1941, the Japanese Attack on Pearl Harbor signaled America's entrance into World War II. During this period she engaged in morale boosting performances for U.S. servicemen. De Carlo was a favorite leading lady in the 1940s, and a recipient of many letters from GI's.

She was a Paramount starlet, but the studio apparently signed her mainly for her slight resemblance to Dorothy Lamour, as it was common then for studios to sign lookalikes in order to remind the stars in question that they easily could be replaced should their behavior become difficult or their box-office appeal begin to wane. When she moved to Universal Studios, she was utilized as a B-movie version of Maria Montez, one of the studio's reigning divas.

Yvonne De Carlo Film career

Her break came in 1945 playing the title role in Salome, Where She Danced. Though not a critical success, it was a box office favorite, and De Carlo was hailed as an up-and-coming star. Of the role, she was less sure, saying of her entrance, "I came through these beaded curtains, wearing a Japanese kimono and a Japanese headpiece, and then performed a Siamese dance. Nobody seemed to know quite why."

In 1947 she played her first leading role in Slave Girl and then in 1949 had her biggest success. As the female lead opposite Burt Lancaster in Criss Cross, she played a femme fatale, and her career began to ascend. The 1957 film Band of Angels featured her opposite Clark Gable in an American Civil War story, along with Sidney Poitier and Efrem Zimbalist, Jr.

The actress worked steadily for the next several years, although many of the films failed to advance her career.

Cast in The Ten Commandments (1956) in a leading role (as Zipporah, also spelled Sephora, Moses' wife), De Carlo became part of a major hit. The film was a huge success and De Carlo was praised for her restrained work in a feature in which several other performances were considered somewhat over-the-top.

Yvonne De Carlo Character actress

Prior to becoming a full-fledged moviestar, De Carlo also became a character actress, and made her debut on a 1952 episode of Lights Out. The part led to other roles in The Ford Television Theatre, Screen Directors Playhouse, Shower of Stars, Schlitz Playhouse of Stars, Playhouse 90, Bonanza, Burke's Law, 2 episodes of Follow the Sun, Adventures in Paradise, The Greatest Show on Earth, The Girl from U.N.C.L.E., Custer, The Name of the Game, 2 episodes of The Virginian, among many others.

Yvonne De Carlo Television series

Yvonne De Carlo The Munsters

The year 1964 was a rocky one for De Carlo, as she was deeply in debt. After having worked for over 30 years, her film career came to a sudden end, and she was suffering from depression. Her life changed, however, when she signed a contract with Universal Studios after receiving an offer to perform the female lead role in the cult sitcom The Munsters opposite Fred Gwynne as Herman Munster. She was also the producers' choice to play Lily Munster when Joan Marshall, who played Phoebe, was dropped from consideration for the role. The short-lived cult sitcom also starred familiar actor Al Lewis as Lily's father, Grandpa Munster, and unfamiliar actors Beverley Owen and Pat Priest as Marilyn Munster and Butch Patrick as Eddie Munster.

During its second season, ratings began to drop, thanks in part to the debut of Batman, which dominated the ratings, early in 1966. Later that year, De Carlo accepted an offer to reprise her role in a color Munster movie, Munster, Go Home! (1966), partially in hopes of renewing interest in the TV series. Despite the attempt Munsters was canceled after 70 episodes.

Yvonne De Carlo Honor

Yvonne De Carlo Stars on the Hollywood Walk of Fame

For her contribution to the motion picture industry, Yvonne De Carlo was honored with a star on the Hollywood Walk of Fame at 6124 Hollywood Blvd. and a second star at 6715 Hollywood Blvd. for her contribution to television.

Yvonne De Carlo Other entertainment activities

Trained in opera and a former chorister at St Paul's Anglican Church, Vancouver, when she was a child, De Carlo possessed a powerful contralto voice and released an LP of standards called Yvonne De Carlo Sings in 1957. This album was orchestrated by the movie composer John Williams. She sang and played the harp on at least one episode of The Munsters.

From 1967 onward she became increasingly active in musicals, appearing in off-broadway productions of Pal Joey and Catch Me If You Can. In early 1968 she joined Donald O'Connor in a 15 week run of Little Me staged between Lake Tahoe and Las Vegas, performing 2 shows per night. But her defining stage role came with her big break on Broadway in the Stephen Sondheim musical Follies, which ran from February 1971 until July 1, 1972. Notable in the role of Carlotta Campion, she introduced the song "I'm Still Here". The show opened later in Los Angeles with the original Broadway cast on July 22, 1972, and closed 11 weeks later. [1] She was the last lead female performer from the original production to die (having been predeceased by Alexis Smith, Dorothy Collins, Fifi D'Orsay, and Ethel Shutta).

She also received recognition for her work in various horror movies, spoofs and thrillers, such as The Power, The Seven Minutes, House of Shadows, Sorority House Murders, Cellar Dweller, The Man with Bogart's Face, Mirror, Mirror, Blazing Stewardesses, and American Gothic.

De Carlo circa 1979.She also made a cameo appearance on The Late Show which was hosted by comedian Ross Shafer in 1988, to talk about her own autobiography, she'd written Yvonne: An Autobiography in 1987.

[edit] Last appearances De Carlo's final appearance on the big-screen was as Aunt Rosa in the 1991 Sylvester Stallone comedy Oscar, directed by John Landis.

De Carlo also appeared on the talk show, Vicki, hosted by her lifelong fan, Vicki Lawrence, on a special episode Sitcom Legends, along with Dawn Wells, Jamie Farr, Dick Sargent, Donna Douglas and Butch Patrick, who also starred with De Carlo in The Munsters, in 1994.

De Carlo also had a small cameo role on the Munsters TV movie remake "Here Come the Munsters" in 1995.

Her last TV movie appearance was as Norma, in the 1995 Disney remake of The Barefoot Executive, opposite Eddie Albert.

Her last TV interview appearance was on January 20, 2002 in a segment of Larry King Live which also featured Richard Hack, author of Hughes: The Private Diaries, Memos and Letters.

Yvonne De Carlo Hobbies

Throughout her long life her hobbies were golf, dancing, singing, drinking wine, and listening to music.

Yvonne De Carlo Quotes

Yvonne: "Men, no matter what their promises, rarely leave their spouses the louses." (Source: Behind The Bedroom Doors of Famous Women) Yvonne on writing her own autobiography: "If I could, I'd change a lot of things because I'm not proud of everything I've done in my life. But to those people who helped me, and there were a lot, I say, thank you. They're the reason I wrote this book." (Source: Yvonne on the cancellation of The Munsters: "It meant security. It gave me a new, young audience I wouldn't have had otherwise. It made me 'hot' again, which I wasn't for a while." (Source: Yvonne on using a car that would be perfect for The Munsters: "I thought it would be fun to drive around." (Source: Yvonne when Stephen Sondheim invited her to join the musical, Follies: "He wrote it for me, just for me!" (Source: Yvonne when asked in 1972 about her affair with Howard Hughes before he turned into a legendary recluse: "Howard taught me how to land a plane and how to take off. But he never taught me anything about flying in between. He thought that I had learned the difficult parts, and that was enough." (Source: Yvonne on Howard Hughes's romance, after watching Salome Where She Danced (1945): "A man came over ... he said 'Mr. Hughes would like to meet you.' Well, I was not too much aware of Mr. Hughes at the time --- who he was or anything. So, I said, 'Oh, yes, fine!' And so, I looked and thought, 'Wow, this would be a terrific boyfriend for my aunt.'" (Source: Yvonne who told the media in 1971 about her stars, if she was really nervous about residing in New York City: "I'm from Hollywood, I'm too dumb to be nervous about New York." (Source: Yvonne: "I was on cloud nine all the time. After I made my hit in Salome, Universal sent me to New York so I could learn to be a proper movie star."

Yvonne De Carlo Personal life

While starring in The Gal Who Took the West (1949), De Carlo not only walked away with the picture, but she walked away with Jock Mahoney, who was her boyfriend at the time. She & Jock were going to start a family, and in 1949, they were engaged. In her first trimester, she suffered a miscarriage, and her relationship with Jock was unsuccessful, hence, De Carlo called off the engagement.

She was married to the stuntman Robert Morgan, whom she met on the set of Shotgun, from November 21, 1955 to June 1968, when they divorced. They had two sons, Bruce and Michael. Morgan also had a daughter, Bari, from a previous marriage. De Carlo was a naturalized citizen of the United States. In her autobiography, published in 1987, she listed 22 intimate friends, including Aly Khan, Billy Wilder, Burt Lancaster, Howard Hughes, Robert Stack and Robert Taylor.

She received a phone call from Phoenix, Arizona that Morgan had been run over by a train, while doing stunt work on [[How the West Was Won (film)| (1962). A distraught De Carlo quickly went to the hospital to be by her husband's side. The doctors did everything they could to fix her husband's body. When his left leg was amputated, Morgan received a fake leg after months of surgeries. However, his contract with MGM assumed no responsibility for the accident. De Carlo & Morgan filed a $1.4 million lawsuit against the studio, claiming her husband was permanently disabled.

Her mother Marie died in 1993, of cancer. Her son Michael died in 1997 of epileptic seizures. De Carlo had a stroke the following year, and soon recovered.

Yvonne De Carlo Death

Later, she moved to a home in the Black Lake Retirement Community, near Solvang, California, but in declining health, she then became a resident of the Motion Picture & Television Hospital, in Woodland Hills, California, where she spent her last years. Despite rumors her key caregiver was her son Bruce R Morgan .There was no former cast member of the Munsters which she was close to after 1967 She is survived by her son, Bruce R. Morgan who is filming ProjectLodestar, a film featuring a cameo appearance by De Carlo.

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